“Fuck the world,” lead singer and guitarist Ezra Koenig starts on the opener, “You said it quiet. No one could hear you. No one but me.” 

It only gets better from there.

Vampire Weekend’s latest album, “Only God Was Above Us,” is a testament to the band’s continuing evolution. It’s their first album in five years, reuniting the original members and welcoming back multi-instrumentalist Rostam Batmanglij as a guest collaborator​.

Ice Cream Piano opens with a disjointed guitar riff and contemplative lyrics about conflict and introspection. It gradually builds to a chaotic yet captivating crescendo, setting the tone for the album’s exploration of disillusionment and hope amidst chaos​.

This is followed by tracks like Classical, which juxtaposes trip-hop beats with reflections on modern conflicts and historical continuity. Koenig’s lyrical prowess shines throughout, balancing intellectual musings with a conversational style that invites listeners to ponder along with him. 

Hey, he went to Columbia University.

Musically, “Only God Was Above Us” is both chaotic and cohesive, featuring a mix of gritty guitar tones, experimental jazz elements, and hip-hop rhythms. I love the piano on Capricorn between the chorus and the second verse. 

“Too old for dyin’ young

Too young to live alone.“

Spoken from a millennial’s perspective. It’s probably my favorite track (or one of…)

Since their self-titled debut album in 2008, Vampire Weekend has been known for its eclectic mix of sounds, from African-influenced guitar riffs to baroque pop sensibilities. I don’t think that stops here.

As the NME put it, this is an ode to 20th-century New York, perhaps in their strange, bizarre way.

Koenig’s vocals still gently float over minimalist piano and jazz arrangements. 

Lyricism and Themes

Lyrically, the album is a deep dive into spiritual and philosophical introspection. Koenig’s songwriting is poignant, often weaving narratives reflecting personal growth and the quest for meaning in a rapidly changing world.

One of the standout aspects of the production is how it simultaneously manages to make the album sound expansive and intimate. This duality gives the tracks a dynamic quality, making each listen a discovery of subtle nuances.

Final Thoughts

“Only God Was Above Us” is a mature, beautifully crafted album that demonstrates Vampire Weekend’s growth as musicians and storytellers. It requires and rewards attentive listening and offers musical and lyrical depth layers.

But it ends with Hope, which is almost 8 minutes long and segues amazingly into the starter when put on repeat.

“I hope you let it go
Hope you let it go
The enemy’s invincible
I hope you let it go.”

This is not just music; it’s a philosophical inquiry set to the tune of life’s ever-changing soundtrack.

In conclusion, “Only God Was Above Us” is a triumph of both form and substance. Vampire Weekend has evolved its sound while staying true to the elements that made it a defining voice in indie rock. Indie-rock tracks like Gen-X Cops prove it.

The album is a rich work that rewards multiple listens and offers deeper insights with each play. It’s a testament to the band’s enduring creativity and ability to adapt and thrive in a changing musical landscape. 

This record is a significant addition to their catalog and a standout release in 2024, affirming that Vampire Weekend remains at the top of their game.

9/10

Chris Garrod, May 16 2024