It all began around six years ago when YouTube’s algorithm recommended a music video titled Nobody Likes the Opening Band by a band called “I DON’T KNOW HOW BUT THEY FOUND ME.”
My jaw dropped.
As in, WTF is this? It was described as an “IDKhow community talent show performance circa mid-1983. This particular tape, marked only as ‘Bowling League Tournament,’ was recovered from the North Davis County Library basement archives in the late nineties. Its origin is uncertain.”
I found out later they described themselves as “iDKHOW” as well. They had released a debut EP, “1981 Extended Play”. But it was all done in secrecy. They didn’t even know how to shorten their band name. Is it supposed to be IDKhow, iDKHOW, IDKHow? (I like “iDKNOW”).
It was ex-PANIC! AT THE DISCO’s Dallon Weekes and percussionist Ryan Seaman and I had just found my new fascination. I devoured the EP and became obsessed. It was fantastic (along with their opening single, Modern Day Cain).
Songs like Social Climb captivated me.
“‘Thought Reform’ was a series of corporate propaganda films produced and distributed by Telex International before their sudden dissolution in the late 1970s. This is believed to be the only remaining copy in the series. The rest having been lost to time.”
It got to a point where I would start playing their EP in the car, and as soon as the Introduction (the first track) started, my kids in the back seats would start complaining, “OHGODNOPLEASETURNTHISOFF!!!”
I was always mildly amused.
So they released “RAZZMATAZZ,” their debut album, in 2020. And it was great. Hits like Leave Me Alone, Lights Go Down, New Invention, and Razzmatazz. On Metacritic, which assigns a rating out of 100 from music critic reviews, the album has an average score of 84, which indicates “universal acclaim.”
Gloom Division
In February 2024, iDKNOW released “Gloom Division,” though as a solo band, with just Weekes, citing a “series of broken trusts” as the reason for his separation from Seaman.
“Gloom Division” is a vibrant and eclectic mix that builds on Weekes’ previous work while exploring new musical territory. The album is a testament to Dallon Weekes’ ability to blend upbeat, catchy melodies with darker, more introspective lyrics. It features various instruments, including synths, brass, and distinctive bass lines, creating a nostalgic and fresh sound.
Before its release, I had high hopes, noting that Dave Fridmann (Tame Impala, MGMT, The Flaming Lips) was to be its producer. Critics have since praised “Gloom Division” for its infectious indie pop and emo vibes. Yup.
Tracks like Downside (my favorite track) set the tone with theatrical elements reminiscent of PANIC! AT THE DISCO, and Gloomtown Brats stand out with its funky, 80s-inspired bass lines, very David Bowiesque.
I should really note here What Love?, SPKOTHDVL, and Satanic Panic for their engaging rhythms and memorable choruses, which showcase Weekes’ knack for creating fun and thought-provoking music.
The album also delves into more experimental territory, with songs like A Letter incorporating personal and emotional elements. This track, in particular, is highlighted for its heavier sound and poignant lyrics, adding depth to the overall experience.
The album closes with iDIOTS OF Oz, “It doesn’t matter what you think of us. We aren’t beholden to the idiots of Oz.” A sure concert winner, but one which draws from Weekes’ journey as a neurodivergent person. ‘My whole life I’d been wearing a mask that I didn’t even know I was wearing, and in the past few years I found out that I’m on the autism spectrum and have ADHD.’ he says. ‘I’m still learning about myself in that regard, but it’s been pretty revelatory to finally start understanding that part of myself…’
Overall, “Gloom Division” is an album that captures the essence of iDKHOW’s unique musical identity. It’s a must-listen for alternative rock, indie, and new wave fans, offering a blend of nostalgia and innovation.
It marks a significant step forward for iDKHOW, cementing their place in the indie pop scene and setting the stage for future successes. It showcases maturity and Dallon Weekes’ continued evolution as a solo artist. I loved “RAZZMATAZZ,” but I think “Gloom Division” takes his band to a new level.
9/10
Chris Garrod, June 1, 2024
PS: I will see them in concert with my 15-year-old daughter – now an iDKHOW convert! – at the beginning of next month. She has a practical shrine devoted to Dallon now.
And I want his hair. 😉